The XIV World Forestry Congress, themed “Forests and People: Investing in a Sustainable Future,” was grandly held in Durban, South Africa from 7 to 11 September 2015. Gathering the world forestry’s sectors every six years, it serves as an important platform for experts and stakeholders to discuss related key issues and explore ways to sustainability. International Wood Culture Society (IWCS) and World Wood Day Foundation (WWDF) also took part in the exhibition and discussions to promote wood culture, a way to remind people that forest is our roots. The diversity of culture and diversity of ecological system are interconnected. We all grow and bind together and therefore, efforts by individuals and groups, big or small, are significant in building our sustainable future.
Those two Kina trees are well-known and long-lived in Damascus, they have remained for many generations and attended many historic phases in early time. They were to be burned, it was the ideas of Mr. Moufak Makhoul to revive them in a certain way, and the Syrian trees never die. As the thickness and height of the trees, the process of engraving is done on the dry and died trees that are more than 130 year-old. The work is not just in related to sculpture, and as well as to give it an aesthetic value, the historic value, and the educational value of how we employ the dry trees instead of burning it. The artists tried to make them a tableau with inscriptions, and asserting the origins of art and civilization in Syria.
Nepal is a multiethnic country, including more than 59 indigenous groups which constitutes 40% of its total population. Many of the communities fully depend on forest and timber products for survival, entertainment and religious purposes. Wood is an indispensable part of their live, though its importance is diminishing due to the influx of cheap alternatives. Meanwhile, attempts are made by individuals and groups to preserve and promote their tradition of using wood.
IWCS team visited 3 of the major ethnic groups, namely Newar, Tharu and Chepang, in Kathmandu, Dang and Chitwan to explore their distinguished and diversified wood culture and introduced some of them to the global audiences in the 2016 World Wood Day celebration at Nepal Academy.
Burning Man is a weeklong festival, a mega art event with many levels of presentation to provide a platform to artists to build a variety of wooden installations and structures in a metropolis in Nevada’s Black Rock Desert. This documentary film is specifically aiming on an aspect that would inspire the caring relationship between man and nature, and as well as emphasizing on the meaningfulness of men’s encounters with wood.
In this 5 miles sq. of flat alkaline playa, wood does not only serve as the main material for art pieces, but also represents as a carrier that absorbs people’s emotions, cultures, and hopes.
The festival reached to its climax when the fifty-foot-tall giant wooden man falls, at that very moment wood has been burnt to ashes and blown away with wind along with people’s message spreading out to those who may or may not have experienced with wood or woodworking that a green and brighter future is ours to choose.
2015 World Wood Day-Wood Culture Festival was held in Şişli, Istanbul, Turkey. This event comprising wood music, folk art, and other interactive activities offers a great opportunity for the public to approach wood culture.
This Wood Culture tour will introduce you to the primary music genres and wooden instruments in Turkey. The musical culture of Turkey is shaped and influenced by the multiple ethnicities within Anatolia region through out history. It can be categorized into two genres, Anatolia Folk music and Ottoman/Turkish Maqam music. Traditional Instruments also fall under these categories as well. We will explore the materials the instruments are made from, their history, and the bound between the instruments and musicians.
Lin Yao was born in 1987 in Wenzhou, Zhejiang, and started to learn Pipa (Chinese lute) at 6 year old. She is the chief Pipa player in Wenzhou Folk Music Group and a music teacher in Wenzhou School for Special Education. Pipa is a short-necked, four-stringed plucked Chinese lute. It is one of the oldest Chinese musical instrument with a history over 2,000 years. Modern pipa appears as a shallow, pear-shaped body with a wooden belly, along with 29 or 31 frets. The four strings run from a fastener on the belly to conical tuning pegs in the sides of the bent-back pegbox. Its name suggests the plucking direction: pi, "to play forward," pa, "to play backward." The strings of Pipa that once made of silk, are now usually replaced with nylon-wrapped steel.
Mbeng N’tam” means beauty and prosperity. This troupe consisting of traditional dancers aims to preserve the rituals and traditions of Gabon. In order to communicate this message of balance among the human being, the invisible world of ancestors and the nature, they have established an association, KOOL D’AYELE, which lends an outlook to the ancestral traditions through their dances. They have started spreading the Gabonese culture worldwide since 1998.
Enrique Males performs ancestral music, expressing harmony that enriches the spirit and fertilize the country. Through ancient sounds, spiritual songs and dances, such as warrior movements and tender moves that represent fertility, their performances express the spiritual strength of the motherland - Pacha Mama. Patricia Gutierrez represents the woman land of Latin America.
The creative work of Enrique and Patricia is authentic and meaningful. Through their artistic production, people get closer to their own spirit and heart, and further to reflect on themselves and strengthen their identity.